abstrakt

Sky Flowers And Horse Eggs ist eine internationale kompilation mit experimental, industrial und ambient acts aus dem jahre 1992. Erschienen ist sie bei dem sporadischen Hypnagogia-label, das hautsächlich Merzbow und The New Blockaders veröffentlicht. Mit dabei sind:Spinal Machine - Inside,Blackhouse - Halo Trance (Eternal Spirit Mix), Étant Donnés - S'envole, Nocturnal Emissions - Adam Hickson / The War On Drugs, Randy Greif - The Numbers Cage,PFN - Sarajevo, John Watermann - The Golden Anger Of Tearing, S.F.O.- Raan, Zoviet France - I Felt The Breath Of My Assassin, G*Park Yack, Shabda - Paramahamsa.
Kontakt: thomas [at] fsk-hh [dot] org ‎

Diese platte pendelt zwischen abstrakten leftfield sounds und ambient:" Vitor Joaquim, laptop experimentalist, sound and visual artist, graduated in sound and film directing. He started performing improvised music and get involved in experimental art by the mid 80's.
Since then, he has created extensively for dance, theater, video, installations and cross media platforms. Until now, he has four solo releases, several collaborations and a long list of participation's in compilations and remixes in different labels. His cd Flow, was considered by the Wire magazine, as one of the best electronic records of the year 2006.
In the last years he has composed extensively for contemporary dance in France, Spain and Germany, and directed a few pieces in contemporary performance, video art and video mapping.(discogs)

Diese platte von Edward Ka-Spel erschien 2009 auf den niederländischen label Plinkity Plonk Records von Frans De Waard. Am 05.06.17 tretten Amanda Palmer und Edward Ka-Spel in der Fabrik auf - also hingehen. Aber was sagt discogs zu Edward Ka-Spel?:Bürgerl. Name: Edward Francis Sharp Profil: Edward Ka-Spel (born January 23, 1954 in London, England) is an expatriate English singer, songwriter and musician residing in the Netherlands. He is probably best known as the lead singer, songwriter and co-founder (with Phil “The Silverman” Knight) of the prolific underground band The Legendary Pink Dots.
Hier die titel der platte: Trapped In Amber 22:00, Christmas On The Moon 23:00.
Kontakt: wp666 [at] gmx [dot] de

tbc asked me to write some words about the gig in the gängeviertel, so
here they are..
when i see or hear the recording of the gig, i can feel the freedom i felt
that moment and i had at other venues as well. to make sound with
different machines and effects and particularly with my voice satisfies
and it s like kind of the opposite of a short circuit in life. no end, not
visible but kind of destructures which might become structured
throughout modulation, even if it s not intended. the sound which came
out from a guitar which was modulated by distortions, bit crushers or
others was an action and on this action another one followed without
much thinking. that s the freedom i mean. when i am screaming or
shouting i m just pucking out the hate, the love, anger and sorrow, rage
mostly and in many times i feel a backshot to dreams or movies running
down my head.
another point is, i like improvisation. you ll never get the exact moment
back. of course a set could be prepared but it varries always because
the mood is one important factor to me. although not just in improvised
sound, but also in strict arrangements there is definitly a larger
breathing room in improvised sound i think.
i am not thinking much about what am im doing next. the present
moment is so fragile, it depends everything on it. which fader or button
am i am going to press. i love to play with feedbacks and their volumes,
EQ s so it might vary from harder to softer sound, as it was at the
gängeviertel venue.
so i can t say much more than, i don t know for sure what i m doing
there. and there is no big need for it to know. it s a trigger and im just
letting it out.
by the way, it was great to play with to live and shave in L.A. i met the
guys before, had a nice talk, so that was a good influence as well. quite
familiar feeling i had.

To Live And Shave In La ist ein projekt von Tom Smith, der vor einigen jahren von Der USA nach Deutschland emegierte. In der USA hat er unzählige veröffentlichungen, u.a. mit Thurston Moore, aber auch in Hannover, seiner wahlheimat, das kleine, aber sehr intressante Karl Schmitz label. Die Musik von TLASILA kann man als manische geräuscheruption begreifen: dissonte, total verfremdete e-gitarren und wirre, abstakte elektronik ergänzen den expressiven gesang von Tom Smith.

Kontakt: wp666 [at] gmx [dot] de