Weblog von thomas

UBRadio Salon #350 (heute, 14.08.22, 22-0.00 uhr)


radio gagarin - neuheiten und altbewährtes im mix, playlist (12.08.22, 20-22 uhr)

1. uton - 555, 1. track - bandcamp
2. abbildung - dublin live 8118, 1. track - bandcamp
3. abhorrent expanse - cloak of ancients - bandcamp
4. aiden baker - cns - bandcamp
5. aki onda - brisbane september 25 2004, auszug - room40
6. ambarchi, berthling, werlin - ghosted, 1. track - drag city
7. arnold dreyblatt & paul panhuys - razorburg - black truffle
8. amphior - void - bandcamp
9. andrew anderson - dressed in no light - bandcamp
10. chessex, meirio, noétinger - cocyte & phlégethon - cave 12
11. david wallraf - i hate my goverment and i hate your goverment - brachliegen tapes

die ganze platte: Exploring Gong Culture Of Southeast Asia, disc 1/Sub Rosa (dienstag, 09.08.22, 13-14 uhr)

Das label schreibt: "This project, Massif and Archipelago, is a field recording project initiated by Japanese sound artist Yasuhiro Morinaga, documenting traditional gong music by different Southeast Asian ethnic groups. The project aimed to examine the impact of the natural and social environment on the gong music culture of Southeast Asia.

archive & augenzeugen: Etannt Donnes - Ceux Qu'On Aime - Ce Que Je Hais/Klanggalerie (heute, 02.08.22, 14-15 uhr)

Discogs schreibt über Etant Donnes: "Étant Donnés is an experimental/industrial duo formed in Grenoble in 1980 by brothers Eric Hurtado (born in 1959) and Marc Hurtado (born in 1962), who were originally from Rabat, Morocco.
Étant Donnés have collaborated with with Genesis Breyer P-Orridge, Alan Vega, Michael Gira, Mark Cunningham, Lydia Lunch and Christophe."
Kontakt: thomas [at] fsk-hh [dot] org

die ganze platte: Ilitch - PTM Works 2/Trace Label (heute, 02.08.22, 13-14 uhr)

Sie schreiben über ihre platte "This is the first time that Patrick and Thierry Müller have found themselves as a duo since the recording of the “Coma Programma Sessions 1976/77/78”.

die ganze platte: Merzbow + Arcane Device/Important Records (dienstag, 26.07.22, 13-14 uhr)

Endlich eine merzbow zusammenarbeit die auch mir gefällt: nicht so laut und penetrant. Arcane Device schreibt: "Masami Akita began his noise music at about the same time David Lee Myers originated feedback music, circa 1988. Finally, after more than 30 years their paths cross.
The Master of Noise joins forces with the Master of Feedback to forge a delicious scorched-atmosphere sonic assault on the senses. Headphones not recommended - for speakers, please!
Recorded 2016, released 2022 on Important Records (USA).

die ganze platte: muster - _am_/Bandcamp (dienstag, 19.07.22, 13-14 uhr)

Die band schreibt über sich selbst: "_am_ was recorded both before and during the global Covid-19 pandemic. The final track, on the hoof was recorded live at Horse Music Improv Club at IKLECTIK London by Saint Austral Sound on the 11th June 2019.
The remaining tracks are the product of a distance collaboration between James and Dan during lockdown with each submitting an improvised track which the other digested over successive listens before recording a response. The two tracks were then mixed together and edited.

UNRAST braucht deine unterstützung!

Lieb*e Freund*in, liebe*r Supporter*in,
hier schreibt dir das Kollektiv des Unrast-Verlags mit einer Bitte. Bestimmt hast du schon mal ein Buch von uns in den Händen gehalten. In den letzten 32 Jahren haben wir über 850 Titel herausgebracht und viele haben wichtige Debatten angestoßen, neue Perspektiven aufgezeigt oder Missstände in der Gesellschaft thematisiert.

die ganze platte: Jon Rose & Luiz Gubeisst - Honey Ants/Thödol (dienstag, 12.07.22, 13-14 uhr)

Wikipedia schreibt: "Jonathan Anthony Rose (born 19 February 1951) is an Australian violinist, composer, and multimedia artist. Rose's work is centered in the experimental music known as free improvisation, where he has created large environmental multimedia works, built experimental musical instruments, and improvised violin concertos with accompanying orchestra. He has been described by Tony Mitchell as "undoubtedly the most exploratory, imaginative and iconoclastic violin player who has lived in Australia"

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